);
}
/* ---------- Format guide ---------- */
function FormatGuide() {
return (
{FORMAT_GUIDE.h}
{FORMAT_GUIDE.deck}
Format
When to reach for it
When to avoid
Verdict
{FORMAT_GUIDE.formats.map((f, i) => (
{f.name}{f.note}
{f.when}
{f.avoid}
{f.verdict}
))}
);
}
/* ---------- Combined sub-sections with real anchors ---------- */
function BrushesSection() {
return (
Brushes
A brush is a delivery vehicle, not a brand. The same buffing brush handles three foundations, two creams, and a cream blush. Most makeup-bag bloat is brand collecting. The brushes that do work have density and shape in common — not a price point. Four brushes cover a complete face: a flat foundation brush for full coverage, a round buffing brush for blending, a tapered blush brush for colour placement, a small blending brush for crease and transition work. Everything else is optional.
Brush motion matters as much as brush choice. Buffing in circular motions pushes product into skin and builds coverage. Pressing and rolling distributes product without moving what's underneath. Sweeping in one direction drags and thins. Know the motion before you pick up the brush.
);
}
function SpongesSection() {
return (
Sponges
A dry sponge absorbs product and streaks. A damp sponge distributes product and mimics skin. The dampening step is not optional — it is the technique. Wet the sponge under a tap, wring it out, squeeze it in a towel, then bounce it against your hand twice. What you hold should feel like a damp, dense pillow: not dripping, not dry.
Bouncing motion only. Pressing and releasing the sponge against skin applies and pushes product without dragging. Dragging is the error that makes sponge application look different from skin. The mini blender is the same tool in a smaller contact area — useful for under-eye concealer, bridge of nose, and any place where the full-size sponge is too broad to control.
);
}
function FingersSection() {
return (
Fingers
Fingers carry warmth that no brush or sponge can replicate. That warmth activates cream formulas — melting them into skin rather than sitting on top of it. Cream blush applied with a fingertip, tapped and blended outward, integrates into the skin in a way that a brush cannot produce. The same applies to cream contour, cream highlight, and under-eye concealer in a cream or balm formula.
Fingers are not a shortcut. They are the correct tool for a specific set of formulas. Using a brush on a cream blush will give you a different result — not necessarily worse, but different. Know which finish you're after before deciding which tool to reach for.