);
}
/* ---------- Format guide ---------- */
function FormatGuide() {
return (
{FORMAT_GUIDE.h}
{FORMAT_GUIDE.deck}
Tool
When to reach for it
When to avoid
Verdict
{FORMAT_GUIDE.formats.map((f, i) => (
{f.name}{f.note}
{f.when}
{f.avoid}
{f.verdict}
))}
);
}
/* ---------- Combined sub-sections with real anchors ---------- */
function CurlersSection() {
return (
Lash Curlers
The eyelash curler does the work of half a tube of mascara. Skip the curl and the mascara compensates with weight — lengthening and thickening because the lash is pointing forward instead of up, and forward lashes read as short. The curl is structural. It changes the geometry of the eye from a frontal view before you apply a single product.
The rule is inflexible: curlers go on dry lashes, before mascara. The formula in mascara bonds to the lash and acts as a structural element. When you close a curler over a mascara-coated lash and pull it away, the bond breaks — and so does the lash. Three to five seconds of held pressure at the base, a gentle roll upward, and a single hold at mid-lash is sufficient. More pressure does not produce more curl.
);
}
function LashToolsSection() {
return (
Lash Tools
The lash comb does one thing: it separates mascara before it dries. Run it through from base to tip in the thirty seconds after you apply mascara — while the formula is still wet enough to move — and you'll take clumped, heavy lashes to individual, defined ones. Wait until it dries and you're pulling at a fixed structure, which risks losing lashes.
The pencil brush is a secondary lash tool: it applies liner into the lash line (tight-lining) more precisely than any liner applicator that comes in-product. It can also apply shadow to the lower lash line with the precision of liner, which is a different technique to shadow application on the lid. Keep it separate from the brushes you use for shadow — the contact with wet formula makes cross-contamination likely.
);
}
function BrowToolsSection() {
return (
Brow Tools
The spoolie is the most underused tool in brow work. It has two jobs: before product, it brushes hairs into their natural growth direction so you can see what the brow actually looks like and where the gaps are. After product, it blends pencil strokes and powder into the hair so the result reads as brow rather than drawn line. Skip the spoolie after brow product and the work will always look applied.
The micro-blade pen is the correct tool for sparse patches — not a pencil filled in with hard pressure. Each stroke should mimic a single brow hair in length and direction. The mistake is filling in sections the way you'd fill in a coloring book rather than making individual marks that happen to accumulate into density. Brow gel — clear, tinted, or laminating — goes over spoolie-blended product and sets the shape. It is the last step, not the first.