// Makeup · Technique · Eye Definition — L3 data (COMBINED page)
// Visual skeleton must match the Oily prototype exactly. Vary copy, never layout.

const OILY = {
  type: "Eye Definition",
  parent: { title: "Technique", href: "/en/makeup/technique/" },
  grandparent: { title: "Makeup", href: "/en/makeup/" },
  totalCount: 118,
  hero: "https://images.unsplash.com/photo-1516975080664-ed2fc6a32937?w=1800&q=80&auto=format&fit=crop",
  heroAlt: "Editorial close-up — defined eye makeup",
  h1: "How to define the eye.",
  deck: "The cut crease, the tightline, and everything between — the full library of how-tos for eye definition, sorted and kept direct.",
  intro: "Tightlining is the dark art of eye makeup. Done at all, it changes the look. Done well, no one can find what changed. The cut crease works differently: its effect is architectural, and there is no hiding it — the intention is visible or the technique failed. Both belong here because eye definition is one subject, even when its methods sit at opposite ends of legibility. Below is everything we've published — Trending now, Editor's picks, the Beginner's path, and the full how-to library.",
  byline: "Edited by Nelly · Beauty & Style Director",
  meta: { count: 118, updated: "Updated 28 April 2026", reading: "Avg. 4 min per piece" },
};

const TYPE_SIBLINGS = [
  { id: "sculpted-base",                    title: "Sculpted Base",              n: "01",             href: "/en/makeup/technique/sculpted-base/" },
  { id: "eye-definition",                   title: "Eye Definition",             n: "02", cur: true,  href: "/en/makeup/technique/eye-definition/" },
  { id: "setting-order",                    title: "Setting Order",              n: "03",             href: "/en/makeup/technique/setting-order/" },
  { id: "color-correcting-and-undertones",  title: "Color Correcting & Undertones", n: "04",          href: "/en/makeup/technique/color-correcting-and-undertones/" },
  { id: "longwear-strategy",                title: "Long-Wear Strategy",         n: "05",             href: "/en/makeup/technique/longwear-strategy/" },
];

const QUICK_FACTS = {
  defn: {
    h: "What 'eye definition' actually means",
    body: "Eye definition covers any technique that changes how the eye reads in the face — its apparent size, shape, depth, or lift. The methods range from invisible (tightlining) to architectural (cut crease), but the goal is the same: the eye should read as more present than it does without makeup.",
  },
  myths: [
    { m: "A bigger eye is always the goal.",
      t: "The goal is a more legible eye. Some faces need the eye to appear closer-set, some wider, some higher. Bigger is one answer, not the only one." },
    { m: "Tightlining is just for eyes with gaps.",
      t: "Tightlining changes the apparent thickness of the lash line without adding liner above it. It works on any eye — the gap is just the most dramatic version of the same problem." },
    { m: "Cut creases only work on certain eye shapes.",
      t: "The crease is drawn where you want it, not where anatomy places it. The technique adapts to the eye, not the other way around." },
  ],
};

const BEGINNER_PATH = {
  h: "Start here, if eye definition is new to you.",
  deck: "Five pieces, in order. Around twenty minutes of reading. Enough to understand the eye before you draw on it.",
  steps: [
    { n: "01", t: "The eye — how the anatomy affects the technique",    time: "3 min", note: "Lid space, crease depth, lash line thickness, and why they matter." },
    { n: "02", t: "Tightlining: the invisible line",                    time: "4 min", note: "What it does, what it doesn't, and why people can't find what changed." },
    { n: "03", t: "The cut crease — what it is and what it isn't",      time: "5 min", note: "The architecture, the tools, and the one step people always miss." },
    { n: "04", t: "Liner shapes — what each one actually does",         time: "4 min", note: "Wing, line, smudge, and flick — the effect each creates." },
    { n: "05", t: "Eye definition that lasts — setting and transfer",   time: "3 min", note: "Why eye makeup moves and what stops it." },
  ],
};

const TRENDING = [
  { rank: "01", t: "Tightlining — the technique that changes the look without being visible",  time: "5 min", auth: "Nelly", date: "Apr 26", img: "https://images.unsplash.com/photo-1516975080664-ed2fc6a32937?w=1100&q=80&auto=format&fit=crop", reads: "13,055" },
  { rank: "02", t: "Cut crease on a hooded eye — what actually changes",                       time: "5 min", auth: "Iris",  date: "Apr 22", img: "https://images.unsplash.com/photo-1583241800698-e8ab01830a24?w=1100&q=80&auto=format&fit=crop", reads: "10,488" },
  { rank: "03", t: "Pencil vs gel liner — when to use which",                                  time: "3 min", auth: "Nelly", date: "Apr 17", img: "https://images.unsplash.com/photo-1522338242992-e1a54906a8da?w=1100&q=80&auto=format&fit=crop", reads: "8,112" },
  { rank: "04", t: "The soft wing — drawing a flick that looks like it belongs",               time: "4 min", auth: "Nelly", date: "Apr 11", img: "https://images.unsplash.com/photo-1487412947147-5cebf100ffc2?w=1100&q=80&auto=format&fit=crop", reads: "7,305" },
  { rank: "05", t: "Eye shadow placement — why layering order determines depth",               time: "4 min", auth: "Iris",  date: "Apr 06", img: "https://images.unsplash.com/photo-1571875257727-256c39da42af?w=1100&q=80&auto=format&fit=crop", reads: "6,144" },
];

const FORMAT_GUIDE = {
  h: "Technique, by intention",
  deck: "What to reach for, and when. Each creates a different reading of the eye — pick the one that suits the look.",
  formats: [
    { name: "Tightlining",   when: "Every day, undone looks, invisible enhancement",    avoid: "Very watery eyes, contact lens wearers (some)",   note: "Product inside the waterline. The subtlest form of definition.",   verdict: "Invisible · Daily" },
    { name: "Cut Crease",    when: "Full eye looks, editorial, photos",                  avoid: "Very little lid space without adjustment",         note: "A crisp demarcation between lid and crease. Architectural.",       verdict: "Structured · Visible" },
    { name: "Smudged Liner", when: "Evening, undone edge, lived-in looks",              avoid: "Clean office makeup, any occasion with a dress code", note: "Liner blended soft. Adds depth without the precision ask.",       verdict: "Soft · Textured" },
    { name: "Wing",          when: "Classic or bold, any occasion",                      avoid: "Hooded eyes that close the space at the outer corner", note: "The extended line. Reads as a completed eye shape.",            verdict: "Classic · Precise" },
    { name: "Shadow blend",  when: "Softer definition, colour focus, no liner days",     avoid: "When you want a hard edge",                         note: "Depth through blending, not a drawn line.",                       verdict: "Soft · Versatile" },
    { name: "Graphic liner", when: "Editorial, fashion, intentional statement",          avoid: "Everyday unless that's the statement",              note: "Liner as the look, not just definition.",                          verdict: "Bold · Intentional" },
  ],
};

const HOWTOS = [
  { t: "Tightlining — the technique that changes the look without being visible",  time: 5, tech: "Eyes", auth: "Nelly", date: "Apr 26", img: "https://images.unsplash.com/photo-1516975080664-ed2fc6a32937?w=900&q=80&auto=format&fit=crop", kick: "Technique", pick: true },
  { t: "Cut crease on a hooded eye — what actually changes",                       time: 5, tech: "Eyes", auth: "Iris",  date: "Apr 22", img: "https://images.unsplash.com/photo-1583241800698-e8ab01830a24?w=900&q=80&auto=format&fit=crop", kick: "Technique", pick: true },
  { t: "Pencil vs gel liner — when to use which",                                  time: 3, tech: "Eyes", auth: "Nelly", date: "Apr 17", img: "https://images.unsplash.com/photo-1522338242992-e1a54906a8da?w=900&q=80&auto=format&fit=crop", kick: "Technique", pick: true },
  { t: "The soft wing — drawing a flick that looks like it belongs",               time: 4, tech: "Eyes", auth: "Nelly", date: "Apr 11", img: "https://images.unsplash.com/photo-1487412947147-5cebf100ffc2?w=900&q=80&auto=format&fit=crop", kick: "Technique", pick: true },
  { t: "Eye shadow placement — why layering order determines depth",               time: 4, tech: "Eyes", auth: "Iris",  date: "Apr 06", img: "https://images.unsplash.com/photo-1571875257727-256c39da42af?w=900&q=80&auto=format&fit=crop", kick: "Technique", pick: false },
  { t: "The waterline — what it does when you line it, what it does when you don't", time: 3, tech: "Eyes", auth: "Nelly", date: "Apr 01", img: "https://images.unsplash.com/photo-1516975080664-ed2fc6a32937?w=900&q=80&auto=format&fit=crop", kick: "Essay",     pick: false },
  { t: "Building eye depth without shimmer",                                        time: 4, tech: "Eyes", auth: "Iris",  date: "Mar 27", img: "https://images.unsplash.com/photo-1583241800698-e8ab01830a24?w=900&q=80&auto=format&fit=crop", kick: "Technique", pick: false },
  { t: "The smudged liner look — how to do it intentionally",                       time: 3, tech: "Eyes", auth: "Nelly", date: "Mar 22", img: "https://images.unsplash.com/photo-1522338242992-e1a54906a8da?w=900&q=80&auto=format&fit=crop", kick: "Technique", pick: false },
  { t: "How to blend shadow on monolids",                                           time: 5, tech: "Eyes", auth: "Iris",  date: "Mar 18", img: "https://images.unsplash.com/photo-1487412947147-5cebf100ffc2?w=900&q=80&auto=format&fit=crop", kick: "Technique", pick: false },
  { t: "Primer for the eye — what it actually does",                                time: 3, tech: "Setting", auth: "Nelly", date: "Mar 13", img: "https://images.unsplash.com/photo-1571875257727-256c39da42af?w=900&q=80&auto=format&fit=crop", kick: "Technique", pick: false },
  { t: "Troubleshoot: why the wing is never symmetrical",                           time: 4, tech: "Troubleshoot", auth: "Nelly", date: "Mar 08", img: "https://images.unsplash.com/photo-1516975080664-ed2fc6a32937?w=900&q=80&auto=format&fit=crop", kick: "Troubleshoot", pick: false },
  { t: "Eye makeup for glasses wearers",                                            time: 5, tech: "Eyes", auth: "Iris",  date: "Mar 03", img: "https://images.unsplash.com/photo-1583241800698-e8ab01830a24?w=900&q=80&auto=format&fit=crop", kick: "Essay",     pick: false },
  { t: "Lash line — making it denser without mascara",                              time: 3, tech: "Eyes", auth: "Nelly", date: "Feb 26", img: "https://images.unsplash.com/photo-1522338242992-e1a54906a8da?w=900&q=80&auto=format&fit=crop", kick: "Technique", pick: false },
  { t: "The graphic liner — what separates the studied from the accidental",        time: 5, tech: "Eyes", auth: "Iris",  date: "Feb 21", img: "https://images.unsplash.com/photo-1487412947147-5cebf100ffc2?w=900&q=80&auto=format&fit=crop", kick: "Technique", pick: false },
  { t: "Soft eye definition for daytime — the edited look",                         time: 3, tech: "Routine", auth: "Nelly", date: "Feb 16", img: "https://images.unsplash.com/photo-1571875257727-256c39da42af?w=900&q=80&auto=format&fit=crop", kick: "Routine",   pick: false },
  { t: "Troubleshoot: eye shadow that creases by noon",                             time: 4, tech: "Troubleshoot", auth: "Iris",  date: "Feb 11", img: "https://images.unsplash.com/photo-1516975080664-ed2fc6a32937?w=900&q=80&auto=format&fit=crop", kick: "Troubleshoot", pick: false },
  { t: "When the eye definition is too heavy — how to pull back",                   time: 3, tech: "Troubleshoot", auth: "Nelly", date: "Feb 06", img: "https://images.unsplash.com/photo-1583241800698-e8ab01830a24?w=900&q=80&auto=format&fit=crop", kick: "Essay",     pick: false },
  { t: "Cut crease for deep-set eyes",                                              time: 5, tech: "Eyes", auth: "Iris",  date: "Feb 01", img: "https://images.unsplash.com/photo-1522338242992-e1a54906a8da?w=900&q=80&auto=format&fit=crop", kick: "Technique", pick: false },
  { t: "Eye definition without liner — shadow alone",                               time: 3, tech: "Eyes", auth: "Nelly", date: "Jan 26", img: "https://images.unsplash.com/photo-1487412947147-5cebf100ffc2?w=900&q=80&auto=format&fit=crop", kick: "Technique", pick: false },
  { t: "Dark circles and the eye look — sequencing the two",                        time: 4, tech: "Essay", auth: "Iris",  date: "Jan 20", img: "https://images.unsplash.com/photo-1571875257727-256c39da42af?w=900&q=80&auto=format&fit=crop", kick: "Essay",     pick: false },
  { t: "Mascara as the only eye step — making it enough",                           time: 3, tech: "Routine", auth: "Nelly", date: "Jan 14", img: "https://images.unsplash.com/photo-1516975080664-ed2fc6a32937?w=900&q=80&auto=format&fit=crop", kick: "Routine",   pick: false },
  { t: "Tight crease vs cut crease — the difference",                               time: 4, tech: "Eyes", auth: "Iris",  date: "Jan 08", img: "https://images.unsplash.com/photo-1583241800698-e8ab01830a24?w=900&q=80&auto=format&fit=crop", kick: "Essay",     pick: false },
  { t: "Full eye look — the sequence that doesn't waste product",                   time: 5, tech: "Routine", auth: "Nelly", date: "Jan 02", img: "https://images.unsplash.com/photo-1522338242992-e1a54906a8da?w=900&q=80&auto=format&fit=crop", kick: "Routine",   pick: false },
  { t: "The brown liner argument — when it's right and when it isn't",              time: 3, tech: "Essay", auth: "Iris",  date: "Dec 27", img: "https://images.unsplash.com/photo-1487412947147-5cebf100ffc2?w=900&q=80&auto=format&fit=crop", kick: "Essay",     pick: false },
];

const TECH_FILTERS = ["All", "Base", "Eyes", "Setting", "Correcting", "Long-Wear", "Routine", "Essay", "Troubleshoot"];

const TYPE_CROSSLINKS = [
  { id: "sculpted-base",                   title: "Sculpted Base",              deck: "Strobing, sculpting, underpainting — three methods, one goal.",  count: 142, href: "/en/makeup/technique/sculpted-base/" },
  { id: "setting-order",                   title: "Setting Order",              deck: "Sequence matters more than the products themselves.",             count: 97,  href: "/en/makeup/technique/setting-order/" },
  { id: "color-correcting-and-undertones", title: "Color Correcting & Undertones", deck: "Most faces don't need it. The under-eye is the exception.",   count: 104, href: "/en/makeup/technique/color-correcting-and-undertones/" },
  { id: "longwear-strategy",               title: "Long-Wear Strategy",         deck: "Fourteen hours is a prep decision, not a product one.",          count: 121, href: "/en/makeup/technique/longwear-strategy/" },
];

Object.assign(window, {
  OILY, TYPE_SIBLINGS, QUICK_FACTS, BEGINNER_PATH, TRENDING, FORMAT_GUIDE, HOWTOS, TECH_FILTERS, TYPE_CROSSLINKS,
});
